Still Journal is a weekly digest of accumulated links, tutorials, news, tricks, ideas and creativity on the culture and art of modern photography.

Still Journal is currently on hiatus - hope to resume updates soon.

Sightings
Wednesday, August 22, 2007
Don't use your camera on manual settings | Paul Indigo makes an argument for letting your camera do all the work.
paulindigo.blogspot.com

What the Duck | The comic life of a photographer duck. Now a regular series by Aaron Johnson.
whattheduck.net

Should You Expose For Shadows Or Highlights? | A great illustrated article looking at the different ways to take an exposure, and how to avoid blow out.
blog.epicedits.com

Liar, Liar, Pants on Fire | Documentarian Errol Morris discusses truth and photography. "For truth, properly considered, is about the relationship between language and the world, not about photographs and the world."
morris.blogs.nytimes.com

Wednesday, August 22, 2007
Don't use your camera on manual settings | Paul Indigo makes an argument for letting your camera do all the work.
paulindigo.blogspot.com

What the Duck | The comic life of a photographer duck. Now a regular series by Aaron Johnson.
whattheduck.net

Should You Expose For Shadows Or Highlights? | A great illustrated article looking at the different ways to take an exposure, and how to avoid blow out.
blog.epicedits.com

Liar, Liar, Pants on Fire | Documentarian Errol Morris discusses truth and photography. "For truth, properly considered, is about the relationship between language and the world, not about photographs and the world."
morris.blogs.nytimes.com

#11. Creating dramatic skies.

Give your skies more punch with a simple Photoshop layer effect.

While reading the Flickr technique forums a came across a brief discussion on getting perfect blue skies. A lot of feedback involves using a circular polarising filter over the lens to a darkness and depth, but if you want to intensify the sky on an existing photo then user Arkku suggests:
"While not a substitute for a polarizer, you can also simulate the effect by selecting the sky and copying it onto another layer, then setting the mode to "multiply" or "color burn". The sky darkness can then be adjusted by the layer opacity. This has the advantage that it works regardless of colour differences in the sky (clouds, etc).

Conclusion
Once again, a very easy effect to apply. Here I have worked on the contrast and amplified the blue colour effect. In this photo it is really only used for demonstrative purposes, I feel as though it distracts too much from the silhouettes in the foreground.

About The Photo
Taken at Piha Beach, near Auckland City in New Zealand.

Posted on Wednesday, August 22, 2007

Previous Techniques
#16. Paranormal Blurry TV Effect
An effect frequently used and abused by horror/thriller films these days - now you can give your still images a spooky look.
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#15. That Cross-Processed look
Take a few years of a photograph and give it that nostalgic colour shift.
View Technique

#14. Soft Focus for Holiday Shots
The technique of applying Soft Focus to a photo is not just for portraits - give a dreamy look to your holiday photos.
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#13. Black & White Colour Overlay
A distinctive method of bringing out detail and depth in a photo.
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#12. Simulating Light Leaks
Another bygone characteristic of the film age that you can resurrect with a simple layer trick in Photoshop.
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#10. Vintage Film Effect
A quick and easy way to transform an image back in time with a vintage film effect.
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#9. Morning Light
Give a dazzling morning glow effect to a photograph.
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#8. Grunge Effect
Give an aged and grungy look to a photo.
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#7. Half Sepia Toning
Give a warm, yet grungy look to a photo by applying a half sepia effect.
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#6. Extreme Contrast (Faux Bleach Bypass)
Punch out the contrast and hold back the saturation of an image in this Faux Bleach Bypass technique.
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#5. Velvia Effect
Add subtle saturation and depth to bring out the best in a colour photograph.
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#4. Digital Infrared Effect
Creating a dramatic infrared effect in Photoshop.
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#3. Lens Blur (Selective Focus)
Give your action shots a visual boost with this selective-focus/lens-blur effect.
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#2. Ray of Light
Adding shafts of light to photos with a single light source.
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#1. Faux Lomo Effect
A modern digital approach to creating a traditional alternative process.
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